The Oi Oi’s is a relatively new English brit-blues trio.
For those of us who haven’t been able to catch them live since their first performance in April they did recently reveal their début single.
Holy Moly rumbles through the speakers akin to a heavy steam engine pressing down on the sleepers. A bass guitar which seems to surface from underneath the floorboards cracking the pins underfoot marks out the territory of The Oi Oi’s as they challenge the sub-woofers to a duel accompanied by a drum-kit struck so hard the listener can envisage the whole set bouncing around the stage with the riffs of guitar bending through the room like a meandering river forming oxbow lakes whilst the vocal, almost incidentally, threads through the composition.
I mean to cast no aspersions towards the vocal content as without it Holy Moly would be incomplete and is an integral part of the song, however, the combinations of instrumentation and percussion is that which fully captures the attention.
It is of little surprise that the guitars are threaded to almost double their length, to enable rapid string change as I can’t image they last a full set on any occasion it would also not come as a surprise that along with the drum-kit having a surfeit of spare skins and sticks there isn’t also a plaster cast on-hand to support broken wrists.
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