Peering out from Leeds in England comes the recently created indie-rock band Milk Crimes of Simon, Ellen and Peter.
Unlike the demure imagery of the band Milk Crimes will have you hurtling around the room in a frenetic waving body. Flashes of distinct clarity as suddenly camouflage themselves in cloudy fuzz as the bursting bubbles explode around the ears. Cramming material into tracks that rarely reach two minutes, the trio are able to compress much coil into confined space as sparkling guitars spring into life accompanied by percussion that seems to find the space to wallow in semi-colons.
It is the ability of Milk Crimes to imperceptibly extend time that gives them the intrigue which raises them far above the mundane. With only five tracks I have been able to hear, which are delivered in their début eponymous EP that was released on the 17th and available on bandcamp, my only regret is that there isn’t more.
Still very much finding their feet and discovering trajectory, with instrumentation and vocals switching between the players along with thoughts on one track extending to the best part of three and three quarter minutes, others not reaching one hundred seconds. I most enjoy Milk Crimes when they are in a hurry.
Somehow I am convinced the nomenclature reference does not relate to Margaret Thatcher and the removal of free milk to schoolchildren in the ’70s, in their most springy footstep.
I look forward to discovering more of Milk Crimes in future extrapolations of creativity.
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From Ballarat in Australia emerge Brodie Glen (Drums / Vocals), Simon (Bass / Vocals) and Danny (Guitar / Vocals) who form the alt-rock band The Shorts.
The Shorts – alt-rock from Australia
Crank-up the volume, nudge the speakers louder and hit play and The Shorts will make the day seem far better than it did before. There is a burrowing rumble that furrows its way through the speakers as the trio deliver well constructed pieces of music, where bridges sit in natural harmony and spacing.
Frenetic percussion provides The Shorts with the time to extrapolate the concepts in the stringed instruments and any time they stray, a swift bass kick-drum ushers everything back in to line. A snappy four-string skips across the room, frequently on off-beat giving the sound a spring to step, whilst guitar is permitted moments off leash to create the counterpoint to which the lyric expresses a contemptive narrative, delivered in appropriately dismissive scorn.
There is much to enjoy here and word arrives of a further EP – Tankerville – set to be unfurled in June.
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Fires Island Pines an alt-indie collective from Wadebridge in England is Anton, Andy, Ben, Seamus, Simon and Tom.
Fire Island Pines
Fire Island Pines bring together jangly pop with trumpets and sympathy to deliver melodic twists and turns of tempered sounds that mercurially flow into the ears. The sextet build their music into generous layers which have a presence that is demanding of attention as the polarities of the instruments and influences ease across each other in immersive combinations.
The bitter-sweet final product is finely balanced, with the out-put having a hazed delivery, which adds to the sensibilities of the music that Fire Island Pines creates. Despite the numbers of players, there is nothing over reached in the sounds, which find the players ably folding one into the other creating a cohesive sound that has a generous layers for the listener to consider.
As I comment, from time to time, I do always promise to get back to every introduction, though not always in a timely manner and it was back in June 2011 that I received the introduction. Somehow things do marry up as it was only towards the end of last month that Fire Island Pines released their début ten track LP – True Grit (which is available on bandcamp).
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