La Bête Blooms is an English new wave outfit.
La Bête Blooms – photo credit Rowan Allen
Juxtapositions of fuzzy comfort are riven with razor-blade edges as La Bête Blooms cast a wary eye at the the world around and best approached having cleared some space in which to flounder prior to hitting play.
The latest track, Saw You On The TV, combines both luscious harmonies and venomous bites with its ever shifting pace that compresses and expands across the room akin to a rattle-snake midway through sloughing its old skin, one moment calmly flexing glistening fresh scales, the next a wary jaw of needle sharp fangs.
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On the 13th of October the English new wave project My Pleasure will be releasing the LP Domestic Bliss.
With some delight I have been able to meander through the eleven tracks on the album (which is available via The Adult Teeth Recording Company) – though sadly am only permitted to share the opener Something Is Something with you.
For those of longer reach in to the world of music – think The Toy Dolls mixed with Dr Feelgood with a sprinkling of Jilted John and you will be there – for those less au fait – take a rack of raw ribs and gnaw away the flesh – juggle the residue of individual ribs in the air then catch them in your teeth on the way down – you will be there – or at least thereabouts.
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The US based new-wave outfit Basic Bitches released the AA side single My Body, My Choice / White Bread President a few hours ago.
Following on quickly from the LP City Slackers the new single (available on bandcamp) is a snarling release that, rightly, takes fire at those who want to control others bodies and minds with the profits being donated to Planned Parenthood.
Both song titles summarise the concept of each composition – this is White Bread President.
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The South African newwave trio The Medicine Dolls have featured regularly since first appearing last year.
The Medicine Dolls – Kiss Kiss Kill Me
The newest track, which surfaced this week, Kiss Kiss Kill Me exemplifies why their music always resonates with me as the carefree abandon of uncomplicated guitar, throbbing bass, congealed vocal and flailing drum hurtles around the room merely asking of the listener to join in on the dance floor in any angulation of limbs preferred and passing no thought to it, merely delight that the audience is taking part in the party.
Turn up the volume, clear floor-space, hit play and thresh with the music that pours through the ears.
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The Ringards is an English newwave outfit.
I do hear of those who think music being played loudly is never a good idea – I do have to say, I completely disagree, often volume is a prerequisite.
Newly minted in the past few months The Ringards only have two tracks around, both less than a week old, for those who haven’t seem them playing live in their few appearances – though word arrives there will be more surfacing in short order.
Stay Where You Stand has a speaker moving bass that finds the desk and sub-woofer parting company ergo how would that not be possible for me to suggest spending time in their company. A simple architecture of chords spikes across the room with a thumping bass-drum beating through the ears enticing the audience to pogo as a scathing vocal laments of life and one is minded of the ’70s heathrow flight-path rock of The Members.
The Ringards I anticipate featuring frequently over the coming years, though whether they will necessarily remain ever in this style, time will tell as the two tunes around, both of top-notch quality, are of different countenance.
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