The Swedish triphop project Sophomore released the track Ghost Rider yesterday.
The mesmeric music metamorphoses the mind in its meandering, mellow, mystical, modulating moderation.
An approaching five minutes track of beguiling downtempo ambient electronica from which the listener has no desire to escape its tranquillising hypnosis – marks another welcome return to Sophomore, an infrequently featured musical project on the site.
As regular readers know, I always use an audio embed where possible, as the quality of sound is far better, though on this occasion I offer both the audio and the video, with the video, that includes police radio communication being a self-explanation of the track title – no one dies, no shots are fired, there are no injuries in fact nothing unexpected happens at all – until the very end, where how the video ties completely with the song title is revealed.
The Swedish variomatic project Anna & The Sea released the EP Out Of The Blue on the 29th of June.
Anna & The Sea
The twenty-oneish minutes, five track, EP (available on bandcamp) glides seamlessly and apparently effortlessly though the room in melting compositions with a poise that belies the frenetic activity under the surface as the intricate compositions build their layers of silky texturing which hold the listener in gentle embrace.
Like A Mother, the second song on Out Of The Blue is my pick of the release.
The Swedish sadcore project of Jenny Soovik – Paperwing – released the single Firewall today.
The silken composition of fragile membrane slowly takes shape as combinations of electronica, instrumentation and vocal weave through each other forming ever more taught pockets of thought in a track that reflects on the building barriers of personal protection in the face of a world of ever greater factionalism resulting in isolated silos afeared of one another.
Yet, through the sadness lays a tentative glimmer of connection and a cohesion with a stretched out arm of reach inviting the listener to grasp the wrist and start to create extended bonds with one another.
The first track to surface from the EP – Crooked Moon, which came out today as a standalone single, fills the room with a mesmeric hypnosis of melancholic drifting shadow as piano and vocal slowly thread through one another.
On the 28th of April the downtempo LP in half by the Swedish musician david shouji was released.
A half a dozen track album, available on bandcamp, of instrumentation, voice and electronica that is drawn from a personal introspective, even adding recollected samples from early material, which doesn’t however leave the listener out in the cold as the ambient flow of unflustered frequencies envelopes the room in a meditative calmness extending an invitation for the audience to contemplate their own narrative.