Joelle Edwards, from Liverpool (England), is an acoustic-sadcore creator who performs as Almost Autumn.
Occasional releases surface, having had the opportunity to listen to the back catalogue, I would recommend digging in to the archives as the music is best tasted in large measure to fully immerse in to the fragile, tear streaked compositions.
The songs take a look at various aspects of life’s insecurities and uncertainties – the most recent of which 6AM (available on bandcamp – as are all the singles) touches on the emotional, heartaching nature, of the intensity of transient relationships.
The track combines electronica and natural instrumentation which serves as a mood shifting backdrop to the breaking, expressive and completely captivating vocal.
It has been just over a year since the English protest-folk project of Jay McAllister – Beans On Toast – last featured. On the 1st the latest LP A Bird In The Hand was released.
As has proven to be the case with each of the previous nine albums, all of which have had a release date of the 1st of December, the tracks revolve around both personal experiences while cognisant of a wider world.
A Bird In The Hand (available on vinyl directly from the Beans On Toast website) is as much a celebration of the birth of a child as it is a reflection of the supporting structures outside the immediate family – with each of the ten tracks being both upbeat while simultaneously scathing of a society in which the silo has become the norm.
Although I am unable to share my pick of the release – Here At Homerton Hospital – the fourth track, the third track – Magic which I am, serves as fine introduction.
Luke De-Sciscio an acoustic-folk creator from Bath (England) is working towards the release of the LP Love.
Lament, which surfaced yesterday is highlighted by the intricacy of vocal and the delicacy of the feathered acoustic guitar which when taken together gives the composition something of the feeling of mythical folklore and signposts of an LP which I look forward to hearing more from in due course.
Regularly including extra musicians as required in both studio and live performance, Shake adds bass and drums to deliver a track that veritably shakes the room to its foundations.
From the opening moments of the sharp percussive introduction to the track, the listener finds themselves welded to the spot, by the time the rootsy piano, bass and stunning vocal get in to full flow the outside world has already become an irrelevance.
Recording of an as yet unnamed LP has recently completed and plans are for a release next year – Shake is the first song to surface.