The ever creative Serbian angst-rock trio Muerto Rico released their latest EP Undermost on the 17th.
Following on from their September release Worst Coast, Undermost (which is available on bandcamp) continues with the raging emo schematic.
The first of the four tracks – Brüte Blavor, descends into the room in seemingly benign mood, before the sweetly plucked guitar notes evidence the mendacious intent and distort into the scrawling foment that is Muerto Rico in full flow of malicious incitement with the vocal of extended neck veins being joined by insurgent angular instrumentation and a percussion caterwauling of unheralded invective.
Choufflait – despite a title that may have you thinking of a Parisian pâtisserie is a full throttle just under two minutes of delightful bulldozing sludge.
My pick of the release is the abstruse Talk Is Cheap, Silence Is Free, which is set to the most melodious and calmly extrapolated fretwork I have featured of the tracks by Muerto Rico over the past few articles about the band, yet despite the calmness of the musical accompaniment, the vocal is still delivered as though hollering from a very deep well then suddenly restrained by a chorus of voices to which the listener feels invited to accompany.
The concluding track of Undermost is Muerto Rico is back on familiar territory as 21st Century Bastards hurtles into the room as though unfurled from a cruise missile launcher in an excoriating delve through moral political malaise.
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It has been just under a year since the Serbian angst-rock trio Muerto Rico were introduced. On the 8th they released the EP Worst Coast.
The four track EP is best played in an abandoned graveyard as Muerto Rico, deliver what they do best in an oppressive night. Opening with the longest track – a second under five minutes – Stay Classy / Saint Juan which sends shivers up and down the spine as the skeletal construct is sawn through by jagged bones which penetrate the ears is a scene setter for Worst Coast.
Death By Fabio will find you merging with the moss on the stones as the trio bring forward rattling cymbals to which a pronounced bass provides pivoting polarisation, as the hoarsely screaming vocal mind of a tortured mind seeking comprehension of the plight in which is finds itself.
Next up is my pick of the release Kevin Babin, which also happens to be the shortest number at a smidgen over 135 seconds. Muerto Rico deliver an embodiment of anxiety, which in its brief duration threads from full throttle panic, to gradual acceptance, affording the trio the opportunity to seemingly extend time.
Closing out Worst Coast is Go Lioness in which a superb plectrum sliding along the strings is almost lost in the frenzy of mutilation.
Grab hold of Worst Coast which is available on bandcamp – find yourself a burial ground, crank up the volume and revel in the gothic spires which Muerto Rico will build in the mists.
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Muerto Rico from Belgrade in Serbia is the angst-rock trio of Kosta (Bass / Vocals), Filip (Guitar) and Stefan (Drums).
Only formed in May Muerto Rico do not have a great deal of music I can yet hear, but what I have has already helped to make my tinnitus even worse as the reeling roar rages across the room and the louder the volume, the better it sounds.
The members of the band are all experienced musicians who have whetted their appetite prior to getting together and are beginning to secure a live touring circuit with their mutations of blazing guitar, frenetic percussion and raucous vocal. This isn’t a sound to take with a cup of Horlicks – as far from drifting into malted sleep, you will find yourself impaled by tracks, which typically manage to get all the fury packed up in around two and a half minutes of explosive energy.
To my mind, Muerto Rico, don’t need to improve as the sounds are exactly as they should be, merely add tracks to help my ears bleed further and I look forward to hearing much more over the coming months.
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