The English melancholic folk creator Tina Boonstra is due to release the EP My Concrete Heart (Will Beat Again) on the 2nd of February.
The second song to be revealed from the EP, I Think I See You Now, was also released as a stand alone single on the 12th.
The frail tendrils of the song hang like an spiders web in a meadow on a frosty morning gleaming in the dawn sunlight, slender yet forthright. The open weave and simplicity of the architecture of I Think I See You Now surrounding the fragile vocal, which threatens to splinter as it emerges from the speakers, finds the audience hushed in unwavering attention as the emotionally charged composition floats through the room.
The Greek melancholic-folk sextet Tango With Lions are set to release the LP The Light on the 19th.
Tango With Lions
Slewing the room with sweeps of a dark-purple cloak the first song of the nine on the album (available on bandcamp) to be revealed Proof Of Desire finds the listener rapt in awe at the munificence of vocal which is spun through lonely acoustic guitar chords whilst an underlying pinning of orchestration quietly flows in and out of focus in the background.
I merely countenance – do ensure there is a handkerchief nearby to dab away the tears in the corners of the eye prior to hitting play.
Sandtimer is a melancholic-folk band from England.
Sandtimer and I have been exchanging emails since 2016 though I have never quite managed to align timing – so it is a pleasure that I have finally been able to get my act together with their latest song – New Year Morning – which came out on the 1st and is the first reveal from their forthcoming LP.
Their back catalogue of releases comprises of music which is of varied approaches to folk influences drawn from around the world that is tinged in sorrowful countenance, expressed particularly by the distinctive vocal with its rich baritone intonations to where the listener instinctively, initially, steers attention. The surrounding layers, sometimes delivered as a duo other times as a quartet, doesn’t seek to fight the voice, rather, adds depth of texture to complement and enhance the overall output and when the ears head towards the instrumentation they discover equally as impressive performance with the weaves of frequencies creating intoxicating flows of sound in which to experience the wistful compositions.
Sandtimer are a case in point where the sum of the parts is far greater than the individual constituents.
Some Are Lonely is a Swedish melancholic-folk duo.
Some Are Lonely
Their music combines, electronica, both acoustic and electric instrumentation, drums and vocal to deliver music which minds the listener of wandering, lost, through a snow-covered forest finding the mind developing a sense of despondency yet, overarching concerns for personal well-being, the beauty of the surroundings becalm and a feeling of serenity settles in the audience.
Some Are Lonely released their début LP – This is what remains – (available on bandcamp) earlier this month. A ten track, approximately fifty three minutes, release in which the listener is invited to allow their imagination to roam.
My pick of the release being the the third – High.
The US melancholic-folk creator Todd Kessler releases the single Old Fashioned Way tomorrow, within the past few minutes this has become available to share.
A brooding track that fills the room with a dour countenance yet which, like a funeral ceremony despite the tears, fills the listener with a feeling of invigoration by the very nature of its dark clouds as the audience take succour from the inward celebration of what has been and the revelations of what may be to come.
Once again a track which requires space to breathe through as full speaker set-up, though on this occasion not on full volume, allowing the heavy-hearted vocal and lugubrious guitar to evaporate as the sounds gently echo from the walls filling the mind with future purpose.