The Irish rock band The Grey Merchant release the single Convenience on the 31st.
The Grey Merchant
For those who are fans of heavy-metal the chord structures and vocal technique in Convenience will immediately remind of one specific band, however, rather than sounding like a pale imitation of Motörhead, The Grey Merchant are able to carve out their own space as they relax the pace.
Convenience (available on bandcamp) is a margin of over a three minute track that is able to compress and expand the pressure waves giving the piece an undulating organic flow in which the listener immerses themselves in joyful thrashing of the neck and already looking forward to the next release.
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Bad Sea is an Irish alt-folk duo.
Less than a handful of tracks are around, each with slightly different structure, what holds the ideas together is the absorbing vocal which spirals around the room in far reaching range of octaves that cement the listener on the spot. Bad Seas are not aiming to create music of complexity rather provide sympathetic backstage lighting to spotlight the absorbing voice.
The most recent track to surface being – Over My Head.
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The Irish electro-glitch nonet Tongue Bundle will be releasing the LP Peppery Talk on the 4th of March.
Those familiar with their music will find Peppery Talk something of a discombobulation as Tongue Bundle step in to the world of electronica, though will quickly reorientate as – although the brass wind has been subsumed in to sequencers – they still remain as a distorted reference and there is a familiarity of angular experimentalism which they will well know.
The ten track, roughly twenty seven minute, release is full of fizzing pops and exploding shards of crystal which take no prisoners as they irreverently spark across the eardrums as though a firework display gone out of synchronisation with random flashes lighting up the night-sky.
Peppery Talk is an album to put on to repeat loop as each play-through will take the listener by surprise at what they missed last time round.
My selection is the antepenultimate No Plans Bastard.
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The Irish lofi-angst duo President of What? released the LP The Owners Will Be Home Soon on the 4th.
President of What?
A roughly thirty one minutes – dozen track album of pained extrusion which will either have you running for the hills or wrapped in enthralled silence – on the basis that I am asking you to spend time with them tells you that I do enjoy their out of tune, out of time, out of kilter compositions which meander across contemplatives of the minutiae of life in quizzical perspective.
President Of What? strip away any pretentious processes whilst laying bare inner turmoils in compositions which reminds of desperately striking damp Swan Vesta pink sulphur waxed Matches and convincing one-self – this one will sort it all out – only to discover that akin to the veneer of life, waxed matches really are not that effective in rainy conditions and will soon flicker to charred corners. If you have ever attempted to light a wet cigarette in the rain with a damp box of Swan Vesta you will understand the analogy, else will likely be scratching your head in confusion.
The ninth track on The Owners Will Be Home Soon (available on bandcamp) is You Wouldn’t Believe How Hard It Was to Get That Up My Sleeve.
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The Escape from Naas in Ireland is the i-generation rock trio of Tadhg Flinter (Guitar / Vocals), Tom Byrne (Bass / Backing Vocals) and Kian Ringwood (Drums).
I know from time to time you ponder whether my tinnitus clouds my hearing and so you may ponder with The Escape, but as always – I hope we will agree to agree, this is music that adds to the weave of life.
Cleaved out of hewn flint there is no finesse or contemplative within The Escape and for this I can’t help but be drawn to comparisons with The Fall with scattered chords, off the scale vocals and a percussion that rattles in another room and because of those juxtapositions I just need to hear more. The very discordance of it all makes for an out-put that makes for a joyful space in which to reside as the tracks resonate of the here and now. Archaic symbolism veering against social diaspora and the resulting out-put has a burst of energy which like a squeeze of lemon in the eye gives pleasure for its very discomfort, self-confidence tinged with confusion.
Only three tracks are extant from three months ago and Kian only arrived three weeks ago, so it will be of intrigue to explore how things develop over the coming while. One of my favourite bands of the year thus far for marking exactly how the world lays and therefore speaking for a generation.
I welcome The Escape and thank them for being exactly of the moment and precisely why Indie Bands Blog started those five years ago, welcome to music of the i generation and as a reader – on this occasion – if you are on a mobile – you have it exactly right.
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