The English theatrical-metal outfit Evil Scarecrow will be releasing the LP Chapter IV: Antartarctica on the 28th.
Their ability to take a standard metal construct and add embellishing flourishes to create music of drama that doesn’t sound self-indulgent marks Evil Scarecrow as a band it is always a pleasure to discover what they are up to at any given point in time.
Red Riding Hood, the second of the ten tracks on the forthcoming album, implies current location being – science-fantasy.
The English rock quartet The Struts will be releasing the LP Young & Dangerous on the 19th of October.
First introduced in 2012, while they have gone on to establish themselves as a well supported outfit, although there have been periods when they appear have forgotten who they are, seemingly confusing life with hype – Bulletproof Baby – the fourth of the bakers dozen tracks on the album – finds their feet once again firmly planted on the ground.
The quintet of George Johnson (Vocals), Connor McMinn (Guitar), Luke Morris (Bass), Rob Clarke (Keys) and Seb Baldwin (Drummer) who form the indie-dance band from Birmingham in England – Ivory Wave – released the single Frankie on the 14th.
Ivory Wave – photo by Laura Benwell
Having introduced Ivory Wave earlier this year, with some enthusiasm on hitting play, not being well disposed towards vocoders the opening phrases had me scratching my head in doubt, only for that to rapidly be dispelled as Frankie soon flowers in to a a trippE track which would not have been out of place at The Haçienda.
The synth melts in to the instrumentation to create a spiralling psychedelia of cascaded rock from which the vocal drifts in and out of focus, demanding of an immediate replay. An extended 12″ dayglo yellow vinyl version would not be unwelcome either.
The rock quartet of Anthony Stevenson (Vocals / Guitar), Richard Jones (Lead guitar), Mike Goodfellow (Drums) and Val Péan (Bass) from London (England) who form The Black Roses released the single El Diablo on the 14th.
The Black Roses
Having had a wander through their back catalogue I nearly didn’t make it back as, akin to the title of their EP from last year, I found myself in a state of Utopia and who desires to leave utopia in a hurry?
El Diablo further attests to a quartet who know one end of a song from another as the dark oppressive presence bleeds in to the room with bass pulsing through the subwoofer and the guitars scratching at the walls while drum paces like a menacing guard corralling prisoners, tipped by a half-spoken vocal which combine to create a track of bewitching malediction.
Yesterday the English garage-grunge trio, Johnny Kills, released the single Seems.
No, you haven’t got a fly buzzing inside your speakers it really is the coils of the sawing guitar introducing the track.
Rapidly building in to a fuller sound – Seems – is in some ways a distillation of their previous songs as it draws on many elements which were the pivots of earlier pieces to create a fusion of their creative influences affording the track a familiarity, for those who know their music, with a fresh space of its own.
There is a grunge style welding of the emphasis of mid bar and slumping endings which affords the calmly paced composition its gloopiness while the expansive vocal, conversely, gives Seems a breezy zest making for a track that is an antidote to the daily grind of life.