The desert-rock quartet from Toronto (Canada) of Jake Allen (Guitar), Sam Allen (Vocals / Guitar), Amanda Grant (Bass / Vocals) and Jeremy Ramos-Foley (Drums) who combine to make-up Run Coyote are planning the release of an LP in the first half-of next year.
Wandering through the back catalogue of material the listener is given to a sense of a quartet who would be at home in a dusty saloon-bar on the Chisholm Trail, as a welcoming site for a night around the campfire and reminisce of times long past.
As a very early indicator of what to expect on the forthcoming album the rock’n’roll number Night Rider surfaced a couple of days ago.
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The Canadian fuzzy-rock quartet Gnarly Horse will be releasing the EP Maybe I’m Certain on the 31st.
A melting pot of gloopy garage meets fiery rock in the out-put which has a raw energy coated in a calming buzz that minds of the combustion of the sun with the bright, benign appearance belieing the intense uncontrolled furnace raging therein.
The first of the four songs – Dopamine – being my pick of the release.
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The Canadian grunge quartet Dilly Dally release the LP Heaven on the 14th of September.
Dilly Dally – Photograph by Michelle Homonylo
Although it has been almost three years since last featured, which on this occasion is not my poor administration rather the length of time since last releasing music, immediately on hitting play on the newest track to surface from the album – Sober Motel – the instantly recognisable vocal fits like a treasured glove as the listener once again looks around on the floor expectantly searching for guitar parts which must surely have broken off and spiralled through the speakers.
Heaven (available on bandcamp) marks a welcome return to the quartet, Sober Motel is the fourth of the nine songs.
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The Canadian alt-folk trio Cursed Arrows release the LP Rebirth on the 10th of August.
Those who know the band may be scratching their heads wondering about this trio mentioned being more au fait with the duo – of Jackie and Ryan Stanley. Scott Gray has more recently joined them as a full-time fixture. Equally they will find the roughly thirty nine minutes, ten tracks, of Rebirth (available on bandcamp) of different flavour as Cursed Arrows reveal a more intimate and self-examining exposé in a mesmerising thread of songs than their more familiar forthright rock derived compositions.
This is most certainly an album that needs to be heard in its entirety to fully appreciate its stunning tender beauty and I would suggest, both those who know the band and those who don’t, to add the album to the playlist ‘moments of self-reflection’ on its release.
At present, I am only given the option of sharing a particular song – the opener Near Death Dayream – which although not, in my view the highlight of the LP as it is not of the central tenet of the release – does extract a sense of the songs to follow.
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On the 14th the Canadian electro-rock duo Jay Draper & The Subterraneans released the AA side single Inside Out / Land Of Anxiety.
Jay Draper & The Subterraneans – photo credit – Tyrone Islington
There is a depressive sadness to the music which is difficult to specifically identify, though nonetheless the thread holding the two tracks central fulcrum giving the material an almost fatalistic air of hopeless despondency.
This dour mood stands as a stark contrast to the expansive compositional range of the tracks, particularly in my pick of the release Land Of Anxiety, which is laced with soaring gothic arches of synthesis and voice. On listening to the roughly eight and three quarters minutes of the two songs (available on bandcamp) don’t expect a catharsis as, in this release, Jay Draper & The Subterraneans are not attempting to shine a candle out of a dark tunnel, rather reflect of dark, ominous, entrapment.
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