The trippy-rock quartet of Mirza Lazuardi (Guitar), Farhan Fazrian (Guitar), Prayoga Adhitama (Bass) and Barsya Prastoro (Drums) from Bandung (Indonesia) known as White Lemon Delirium released the LP Mind’s Eye on the 10th.
White Lemon Delirium
A ten track album (available on bandcamp) which fuses progressive rock, psychedelia and space-rock in to manageable slices and rather than disappearing in to vortex of spiralling hallucinogenics the quartet create music that has a steadying keel in which the listener can find a buoyancy of ready comprehensibility.
By allowing the compositions to have a fairly approachable demeanour they also afford the songs something of an extemporised feel by which the audience finds their mind becoming ever more transfixed.
The antepenultimate track is Geddewei.
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The Indonesian indie-gaze quartet Ping Pong Club released their début single Venetian Blinds on the 19th.
Ping Pong Club
The blending of two synths has the effect of creating music which has a dreamy flow that minds of folding whipped cream in to melted chocolate and the listener finds their mind relaxing in to the luxurious textures of the song, the hazy guitar is stippled by a burbling percussion that gives the track a jazzy underpinning beat while the drifting vocal combinations hypnotise the audience.
Newly out of the blocks and other than this composition there is only a demo version of one other track around, though on the basis of the one fully produced Venetian Blinds and the engaging demo Skylight – a quartet I look forward to hearing more of in the near future.
The single was released as an original plus a remix version (with a guest bassist) and is available on bandcamp. A second remix of the song also surfaced yesterday, though is not on the release.
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From Bandung in Indonesia surface Bayu Andrianto (Guitar / Vocal), Valery Marsiano (Guitar), Aditya Tri Hanggono (Bass) and Muhammad Zainul Ilyas (Drums) who form the psychedelic Napolleon.
Heavy weaves of psychotropic substance descend around the ears as Napolleon combine ’60s rock with drone to layer the listener with darkly wefted sounds. The mind finds itself drifting along with the compositions as they meander around the room.
Reminders of concentrated Hawkwind pour out of the speakers as the instruments interplay to a submerged echoing vocal that enhances the out-of focus lens of the out-put. Napolleon is able to bring the disparate concepts together in a way that leaves the listener aware only of a continuum of sound. Their ability to coalesce the ranging ideas finds the audience mesmerically entranced and time looses all relevance as the quartet cloak the consciousness in an oppressive soundtrack that has the ability to simultaneously extend an arm of comfort.
A few years behind them, it was only on the 10th that they have released their début eponymous EP. Although only four tracks long, it will be no surprise to learn that the release extends to nearly twenty five minutes. Do find some time to dwell with Napolleon who add immensely to the pleasure of the day.
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Napolleon E.P – Napolleon is available on iTunes.*
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Valuenary from Makassar in Indonesia is the rock quartet of Bothay (Vocal), Pardy (Guitar), Ara (Bass) and Chapunk (Drums).
Having only formed in August there is little material currently available, but what I have heard leads me to believe Valuenary have much to say and are already saying it well.
Lyrics focus on the world around them and the music is riven with classical rock themes, with big anthems and rumbling drums, it is the superb vocal which marks them out above the crowd. Valuenary have taken their influences as the foundation and are seeking to add their own structure around it without heading off theme and with some well composed songs they are able to offer a sound which fills the room with its presence.
As mentioned, material is very limited and I look forward to hearing more in short order.
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