The Canadian garage-rock quartet The Flatliners release the three track single Mass Candescence on the 15th.
After fifteen years out and about with numerous releases and innumerable shows one could understand if The Flatliners sounded a little bored by it all – yet far from it – the newest single, as evidenced by the first song on the release – The Arousal Of Despair (available on vinyl via Dine Alone Records) – attests to a quartet who are as fresh and enthused as the day they started out.
Sure the garage may have smarter walls and a fancy roof with shinier cars in the driveway – but it is still a garage despite all that and the listener is soaked in the earthy grit of the music, not festooned by schmaltz.
It was back in 2014 that the Canadian folk-rock quintet Echo Nebraska last featured with their début EP Send The Ships, it is therefore with some pleasure to return with news of their latest (and follow-up) LP Hold Up To The Fire which was released on the 1st of June.
Echo Nebraska – photo by @njdav
Although Echo Nebraska have not been completely hidden away from sight, regularly playing live, the death of one of the trio of founding members Gunn Park has found they have remained away from the studio until now.
In recognition of their travails over the years and the respect with which they still hold Gunn, the song and title track – Hold Up The Fire, which is the fourth of the ten of the thirty seven’ish minutes of the melancholic folk rooted album – which is full of gems – too whom it was written in dedication, seems an apposite re-introduction and I merely hope that having broken the fast they feel able to reveal more music without the, understandable, four year gap for those of us spread more widely than able to catch them live.
Time to start packing away the chapter of what has been a month of admin issues with the site having fallen over for a day and a bit, with the Editors’ Choice for band of the month – not that the music has been other than an ever present daily delight – here’s to less troublesome June.
Scratch Buffalo – photo by Johanna Hung Photography
The Canadian sadcore trio Basement Revolver will be releasing the LP Heavy Eyes on the 24th of August.
Basement Revolver somehow seem like a trio who must have been in the collection for many a year as there is something comfortingly familiar in their music, which is not due in any part to ‘sounds like’ rather their music having a confidence and calmness which, like heading out to a favoured bar, nestles itself within the brain with an immediate sense of pleasurable anticipation.
Given that there is only a brief catalogue of music, only dating back just over a couple of years, Basement Revolver already mark themselves out as a band who rate a long reach and legacy and I look forward to hearing more. The first song to surface from the dozen track album is the opener – Baby.
We Will Break / Up Someday surfaced last week in two versions. One – a radio edition, running for a sliver under four and half minutes the other – the full version which is nine and a sixth minutes of progressive shimmering guitar threaded with a pastel synth through which an unexpectedly expressive drifting vocal slips in to the room all of which is bustled along by a frenetic drum-kit and resulting in a song that has ever more varied texturing and complex layering the longer it progresses – is the more appropriate version to introduce The Houses (Where We Grew Up).