The Belgian alt-metal quartet Wound Collector release the LP Eternal Bloodcult on the 24th of May.
The first track to surface from the album Divine Music, Unholy Flesh – the fifth of the eight songs – showcases their twist to the core sound of death metal, with their deployment of three voices, winding guitar and tenor saxophone set to a pulverising bass and drum-kit.
The Belgian art-rock band Yew will be releasing the LP Bam Bam Bam on the 16th of March 2018.
The first song to surface from the album – Sacramento – which itself was released as a stand alone single, available on bandcamp, on the 15th – is a quiet blend of their origination of folk conjoined with arithmetical angles to deliver a just under four minutes reveal in which the listener becomes completely absorbed.
A plethora of strummed, picked and bowed instrumentation, muffled drum and hypnotic vocal are never overplayed with, akin to an orchestra, each musical interlocutor combining to create a greater sum than the individual elements.
The Belgian jazz-fusion sextet OPMOC released their eponymous LP on the 9th.
Pulling in a vast array of influences each track offers a new idea, from trad-jazz, through funkadelia, to bluesy yet never straying in to incomprehensibility as – although tracks can be lengthy, as is the case of my selection from the release (available on bandcamp) the seventh of the eleven Leaving, the only purely instrumental track on the album – there is a sense of direction of travel.
Smashing Birds is an indie-synth band from Belgium.
Whilst being light on texture the synths allow Smashing Birds to add layering to their output making the material ideally suited to a quiet evening gathering with friends to which the compositions add a pleasing ambience.
Not seeking to challenge the tensor tympani Smashing Birds are an outfit, nonetheless, to get to know as they are articulate and skilled musicians adept at what they do adding much to the world of music and I wish them every success.
By way of an introduction the track Time from the EP No More Revolutions, which is available on bandcamp.
Even on a very sunny day Tin Men would cast a shadow over the sun as the intoxicating registry of darkness cloaks the listener in hypnotic layers of synth and guitar with scattered percussion glimpsed through the room as the seductive vocal entices the listener closer to the speakers.
There are rumours that The Girl Who Cried Wolf are planning to release an LP next year, with Tin Men pencilled in as being part of the album. The only sadness is that is now only April, so until more is uncovered Tin Men will have to serve as a taster to what is in store.