Andrew Oliver, the alt-rock solo performer from Oakville, Ontario – Canada was introduced briefly with one track at the end of last year.
I have now had the opportunity to delve a little longer into material. As you well know by now if you are a regular reader my patience is pretty well non-existent and it always fascinates me the time and care solo performers take to produce material, Andrew Oliver is of no exception.
Andrews‘ music straddles a wide path of out-put from electro-rock to acoustic-americana, yet each piece carefully measured and poured into the room like your favourite cocktail waitress formulating that obscure drink only she knows how to mix. The ears are pulled from warming wurlitzer to electronic loops via scruffy guitar, yet like that strange cocktail nothing seems out of place, with a vocal that retains recognizability.
I am fully aware what it is that really draws in my ears and it is the ever present pulsating bass lines, which is always a direct line to perk up my ears.
Andrew Oliver has taken his experience as a band member and translated that into the solo performance with a deft hand, enabling him to explore ideas that emerge from his own perspective without needing to be translated by others and it is this emotional fragility that gives the music its connectivity.
A new LP surfaced on the 15th – Lazy Bones, (available on bandcamp) which is well worth adding to the playlist – I need something warming.
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Andrew Oliver from Canada has just finished recording the Lazy Bones EP.
The first track to appear from the forthcoming release is Bells.
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The Bootlegs is Andrew Oliver (Vocals), Brady Burke (Guitar), Elliot Hepworth (Bass) and Ben Labenski (Drums) an alt-rock band from Oakville in Canada.
The Bootlegs – Photo by Eric Riehl
It was back in May I first came across The Bootlegs with their video for Fail To Recall and at that stage there just wasn’t enough music for a review, that has all changed as the quartet who have been around for less than a year have been working hard on creating new sounds.
As Friday morning drifts into the afternoon as I write, this music suits the wind-down period extremely well. I recall back in the late ’80s when I had a ‘real job’ when all the staff were bought a drink to consume in the office on a Friday afternoon, a tradition I subsequently continued with with my own staff with my head-hunting businesses, until I finally gave up suits in the late ’90s that wind-down and collective easing of the pressure was a real boost to everyone and The Bootlegs would have been ideal to add to the mix. That isn’t to say it is all just noises for the background, as the band weave some intriguing progressions through their material which retains the ear of the listener.
Well structured melodies are accompanied by relevance of drum / bass combinations with vocals floating in and out of the mix as the quartet lay out their gentle carpet for the audience to lay and listen.
Knock Me Down – EP – The Bootlegs is available on iTunes*
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