The ever creative Serbian angst-rock trio Muerto Rico released their latest EP Undermost on the 17th.
The first of the four tracks – Brüte Blavor, descends into the room in seemingly benign mood, before the sweetly plucked guitar notes evidence the mendacious intent and distort into the scrawling foment that is Muerto Rico in full flow of malicious incitement with the vocal of extended neck veins being joined by insurgent angular instrumentation and a percussion caterwauling of unheralded invective.
Choufflait – despite a title that may have you thinking of a Parisian pâtisserie is a full throttle just under two minutes of delightful bulldozing sludge.
My pick of the release is the abstruse Talk Is Cheap, Silence Is Free, which is set to the most melodious and calmly extrapolated fretwork I have featured of the tracks by Muerto Rico over the past few articles about the band, yet despite the calmness of the musical accompaniment, the vocal is still delivered as though hollering from a very deep well then suddenly restrained by a chorus of voices to which the listener feels invited to accompany.
The concluding track of Undermost is Muerto Rico is back on familiar territory as 21st Century Bastards hurtles into the room as though unfurled from a cruise missile launcher in an excoriating delve through moral political malaise.
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