Taking elements from their earlier material Shoulder has a more shimmered dreamy context to much of the previous songs as bending guitar flows within the persistency of the drum which marries rims, tight snare and loosened bass-kick giving the song its warming constitution.
Vocal and synthetics melt in to richly textured harmonics while bass ebbs and flows, akin to a strobing illumination from a lighthouse, affording Shoulder its pulsing texture.
All of which meld in to a track which washes through the room filling it with a shimmering ambient glow.
Vasco Oliveira is a sadcore-folk musician from Porto (Portugal) who performs as Olivae.
Having taken a run through the back catalogue I merely suggest having a pile of clean handkerchiefs to hand to wipe away tears prior to opening up the music.
A little late to the latest release, A Place To Stay (available on bandcamp), which came out earlier this month – apologies.
A song which resonates of gently played strings of acoustic guitar, breaking vocal, both, brushed with the soft keys and hushed vocal of Sara Teixeira creating its own tear streak that catches all those it touches.
The quartet of Alex Harris, Alex von Lehmden, Miguel Alfredo Acero III, Cody von Lehmden from Columbus (USA) who form the indie-suede band The Candescents released the single Wet Tuesday on the 11th.
Dial down the stresses of daily life to the creamy flow of Wet Tuesday as the trouser hems of guitar shuffle through the room accompanied by an expressive and expansive vocal which is able to skip through rising and dropping stanzas with alacrity while the extensive use of softly brushed cymbals add to the dream-like composition as bass swoops in and out of focal point while bass-drum maintains a steadying hand to the composition.
Stefan (Vocals / Guitar), Angus (Vocals / Guitar), Lachy Billows (Bass) and Graham (Drums) from Adelaide (Australia) who form the indie-dance band The Montreals released the single Rude on the 30th of November.
Opening with a hum of synthesises the track immediately creates a warm flow of air that drifts through the room with an ease of footstep, generating a relaxed ambience through the mind.
Soon skipping up in pace as the full sound floats in to the ears the tautly strung drums enables the beat to spark brightly through the song while the mellowed instrumentation creates the feel-good mood of the composition while a distinctive vocal rounds out Rude to form a track that has a subtly infectious and hypnotic quality.
Virginia Marcs is an alt-folk creator from New York (USA) who, on the 18th, released the single I Need You.
Whilst in comparison to much of the back catalogue I Need You is of more optimistic demeanour that is merely a factor of contextual relativity.
The luxurious palette consists of hues of deep crimson, rich purple and dark navy with the intricate melodies and immersive vocal sinking deep in to the bone marrow filling the body with an intoxicating warmth leaving the listener with no sense of an outside world.
The only downside is that I Need You is all over within a mere one hundred and seventy eight seconds leaving the audience immediately desirous of more.