The Danish garage rock quartet Tin Can Telescope released the EP Put Down the Chainsaw, Honey on the 8th.
Tin Can Telescope
The room fills with bursting flashes of energy on hitting play as the five track EP (available on bandcamp) launches through the speakers in high tempo pulses.
Tin Can Telescope create music with infectious twists and turns of jangling rock’n’roll which has the listener joining in with the unfettered good time music lain, conversely, to introspective lyric. The opening track is The Modern Blues in Silverfish Sandals.
The English alt-indie duo Sulky Boy released the single Amorous Battle on the 12th.
An intriguing track which distills emo, maths-rock and indie-dance in to a tasty concoction of elongated vocal, angular guitar and springing drum combinations yet rather than becoming confused the listener finds themselves tapping alongside while gazing wistfully out in to the middle-distance.
The Australian gaze-rock quartet The Double Happiness released the LP City yesterday.
The Double Happiness
A soundtrack that minds of early Factory Records releases, The Double Happiness features gazey echoing delayed guitar which cocoons the brain in warm tones while a stippling percussion and quietly determined bass maintain progression with the second guitar forming drifting shapes of sound that allies with the subtle shifts in pacing, emphasis and tempo and the interchangeable trio of voices all enabling the quartet to deliver music which keeps the listener fully engaged.
The second of the six tracks on the album (which is available on bandcamp) being my pick of the release – Stalker.
The Swedish indie-rock trio Overjoyed are working towards the release of an EP for later in the year.
Last appearing in the New Year Ninety, their new song, which came out a view hours ago, Taxi Driver, extrapolates their ability to create music which is able to fill the mind with good feelings, whilst simultaneously generating an undercurrent of reflective melancholia.