North Sea Dialect is a doomwave project from Scotland.
North Sea Dialect
A little late to this, apologies to everyone, the début LP (available on bandcamp) Local Guide was released earlier in the month.
A roughly twenty eight minutes, ten track, album that takes the listener to the dark foreboding gabbro walls of The Cuillins looming overlooking the highland clearances of Allt Coire Lagan as the mystical, forlorn compositions fill the room with their gloomy noises-off.
The Kundalini Genie is a psychedlic-rock band from Scotland.
The Kundalini Genie
Although I was sent an introduction to their LP Reverberation (available on bandcamp) some little while ago, such is my wont I managed to miss it, only catching the details this week, apologies to one and all. With some fortune a new song surfaced at the tail end of last week.
You’ll Find Out (When You’re On Your Own) is a mesmerising blend of spaced out guitar, keys and a completely absorbing sitar, which enables them to create music that seems to stretch in to the mists of time with a slowly pacing percussion which is all rounded by a drifting echoing vocal.
The Scottish psychedelic-rock quintet Domiciles released the single Only You on the 29th of September.
Though lasting a smidgen under six minutes the effects of Only You lay with the listener for some considerable time after the event with the synapses having slowed to syncopate with the trippy washes of the echoing guitar and finding little reason to fire back to normal speed in a hurry.
Domiciles are able to immerse themselves and the listener completely in ’60s and ’70s hallucinogenic-rock without sounding out of kilter with the ’10s with their music embracing both the past and the present.
Dancing On Tables, the indie-dance quintet of Robbie McSkimming, Callum Thomas, Hamish Finlayson, Gregor Stobie and Michael Waterworth from Dunfermline in Scotland, released the single Colour Me Good on the 14th.
Dancing On Tables
Having fast grown an audience with their user friendly tunes, in Colour Me Good the quintet have challenged themselves to work within a slightly different sphere, while not wishing to alienate their existing fanbase and have been able to transition successfully.
Their earlier catalogue I find a little featherweight of texture and stay for my personal taste, though ideal to penetrate the radio market they were aiming to secure. Colour Me Good, while still music for easy moments has more depth and a less formulaic structure affording the song a more natural flow and a measure of connectivity making for a release I do recommend adding to the birthday bash playlist.
Whether this marks a slightly new direction for the quintet or a one-off foray- time will tell.
The Scottish, England based, rive gauche blues creator Natasha England released the LP Somehow on the 10th.
A melting weave of electronica and instrumentation floats through the room in intoxicating waves as the alluring, imploring vocal teases the audience with its breathy rhythmic layers in a thirteen track album which lifts the listener through space and time to Montparnasse as flicking jazz, husky blues and café-culture soothe-groove seep in to the mind.
The title track and opener is Somehow, a song which sets the backdrop to the LP.