It was heading towards two years ago that the Bradford (England) trio of Craig (Vocals / Guitar), Chris (Guitar) and Matt (Bass) who form the core of the rock band 45. last featured. On the 17th they released the three track single – Godspeed.
The extended gap is not a reflection of lack of new material, rather my own inabilities to keep up to date, later than deserved, an update.
The three tracks on the single (available on bandcamp) are each of different texturing.
The opening track – It’s Got Soul is a dark buffered composition which has the listener investigating to ascertain if they have moving foundations as the pulsing bass / drum combinations rumble through the speakers.
My pick of the release – Glorywalk – is a more emotional and empathetic treatise of a tautly strung lead guitar and snare drum which gives the piece something of a marching anthemic to it, though as the song progresses, in to earshot swims Puducherry cultural influences.
The closer and the title song, Godspeed, is a bright and breezy country-blues influenced rock composition, which appropriately links back to their americana-rock introduction.
The trio of Billy Howard, Jock Norton and Will Michael from London (England) who form the rock band Puppy will be releasing the LP The Goat on the 25th of January 2019.
Slugging bass and drums launch through the speakers in the seventh of the dozen tracks – World Stand Still – with the listener anticipating a high energy heavy-metal number to burst through the room only for Puppy to slow the track to what the ears attune to be a 45 rpm record playing at 33 ⅓, though rather than feeling short changed the mind swiftly attunes and revels in the laid back heavy-rock rhythms.
The collaborative musicians of Oliver Kucera from Amsterdam (Netherlands) and Saint Cole from Leeds (England) released the deep house two track single The Shaman yesterday.
There is a reason I implore of readers to suggest they are wasting their time as they are not listening to music merely noise who listen to the music featured on the site using the tinny squeaks of anything other than a full speaker system (unless they are in a geo-political location where there are no viable alternative options) and this is a prime example of why having at least five speakers is essential.
Turn up the volume and the sub-woofers to feel the windows, walls and floor buckle and bend to the intoxicating flow of the title track and opener The Shaman (available on bandcamp) while the mind and body flows in to the beat of the rhythm whilst drifting in to a trance of primordial synchronicity.
The English garage rock quartet Neurotic Fiction will be releasing the LP Pulp Music on the 16th.
Neurotic Fiction – Photo by Luke Penny
A not inappropriate name for the band as they feature the upper registers of the guitar giving the tracks something of panicked air which is laid against a contrasting silken voice giving the compositions both a graceful floating sweep and sense of wariness of imaginary hidden dangers up ahead.
The second of the ten tracks on the album (which is available on bandcamp) is Collateral – a song that hurtles through the room in a blurry flurry.
Mara Daniele, from Memphis (USA) now based in London (England), who performs as the cadent-folk musician Mara released the single Post Office in Portland today.
On occasion as a music reviewer I am hit by a gem and I just know this is a musician I want to follow their progress over many years – Mara is a case in point.
The quirky instrumentation, which gives Post Office In Portland an immediate anchoring in the ears is joined by a singular vocal that holds the mind transfixed in the rolling combinations of cadence and pitch and although aware there is a tale unfolding the listener feels themselves merging with the song and rather than focusing on any one thing becoming subsumed with the hypnotic effect of the composition and vainly wishing the track never concludes.