Hepatit-X – Bad Oslo – Audio

The Norwegian rock quartet Hepatit-X will be releasing the LP Soldiers and Supervisors on the 13th of April.



Spending much of their time performing live, it has been over three years since their last recorded release, when they were a trio.

Bad Oslo, the first track to surface from the album, which was released as a standalone single on the 9th, discovers Hepatit-X as a tighter and faster unit and now pulling references from ’70s heavy-metal and moving away from their earlier stoner soundtrack. On the basis of the song – Soldiers and Supervisors will be an LP to add to the collection, which is also coming out on Vinyl through Big Day Records.

Lasting an ideal three minutes and fifteen seconds, Bad Oslo is a song that will have the listener head-banging between loudly playing speakers within moments. The earthy heavy-metal is delivered on the spine of a blistering performance on percussion in a driving impetus that threatens to break the skins, with guitar snarling through finessed chords, while the bass punches the eardrums as the vocal delivers a top-notch performance. Hepatit-X even manage to drop in a snippet of Blondie – what is there not to make for a recommendation to spend some time in their company.

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Bad Oslo – Single – Hepatit-X is available on iTunes.*

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Broken Swans – You Don’t Like Me Anymore – Single Review

Broken Swans is a Norwegian lofi project.

Broken Swans

Broken Swans

Broken Swans has only recently come to the table, with three tracks revealed in the past couple of months.

The most recent of which is You Don’t Like Me Anymore (available on bandcamp) – a fragile composition which the listener senses is likely to fracture even as it surfaces out of the speakers as the frail feathers flutter in tender strains of introspective soliloquy lain on a bed of laced acoustic guitar.

Broken Swans is a musical entity possessing of a gentle grace which I look forward to hearing more from in the coming year.

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orsak:oslo – Brugata Blues – Audio

The Norwegian and Swedish dystopian trio orsak:oslo released the three track single Tipping Point on the 17th.

orsak:oslo - photo credit - David Holmqvist

orsak:oslo – photo credit – David Holmqvist

On hitting play on the first track on Tipping Point (available on bandcamp) Brugata Blues – the rumbling underfoot is not the foundations crumbling –  rather the distorted saw of guitars opening the seven and five sixths of a minutes track and merely firing the opening cylinders of the release.

By the time the the fulsome structure of the composition comes to fore the listener has already turned up the volume, only to discover that was not necessarily the wisest move as when the moment arrives at about seventy seconds in – they will find themselves worrying about the structural integrity of the walls and wondering where the nearest scaffolding firm may lay.

The bleakness of the harrowing instrumental songs on Tipping Point paradoxically fill the audience with a sense of catharsis rather than timorous fear.

The band name orsak:olso you may be pondering with its distinctly Norwegian reference is something of an in-house moment as only one of the three is from Sweden.


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Broen – Time – Video

The Norwegian electro-soul quintet Broen released their début LP I ♥ Art on the 20th.

Broen - photo credit - Thor Egil Leirtrø

Broen – photo credit – Thor Egil Leirtrø

An eight track album which is a blend of indie-dance melted inside dreamy electronica rounded by an ethereal vocal, which affords their music an engaging flowing soundtrack.

The second of the eight tracks on the album (which is available via Bella Union) is – Time.

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Spielbergs – Distant Star – Single Review

The Norwegian rock trio Spielbergs released the single Distant Star on the 13th.



A track which shakes the dust out of the speakers as it surfaces in to the room in a barrage of guitars and percussion. Distant Star (available on bandcamp) is a song which digs deep in to the archives of rock’n’roll yet is able to surface with something that is distinctly and refreshingly new as they ably sew ideas of different generations in to a cohesive package with no one feeling short-changed – perhaps even more importantly – deliver a track which doesn’t seem anything other than a natural evolutionary progression rather than a synthetic reimagination.

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