The Manchester (England) rock trio of Rich (Guitars / Vocals), Pete (Drums / Vocals) and Paul (Bass) who form the band We Three Kings revealed the track Give it to me, GO! a couple of hours ago.
An uncluttered two and two thirds minutes of brit-blues rock’n’roll that fires out of the speakers like a ball of fuzzy energy which infects all those it touches and has the listener jamming their head between blasting speakers lost in the wave of warming nostalgia.
Give It To Me, GO! is a welcome follow up to the EP Fire, which came out eleven months ago.
The new wave trio of Julia Kugel (Vocals / Guitar), Meredith Franco (Vocals / Bass) and Stephanie Luke (Vocals / Drums) from Atlanta (USA) who form the band The Coathangers will be releasing the LP The Devil You Know on the 8th of March.
The eleven tracks on the album (available on bandcamp) open with – Bimbo – which sets the scene for a release in which all the listener will be asked to do, is tickle the speakers louder and clear some space to dance the night away to the infectious beat, intoxicating melodies and interweaving voices.
The celtic-metal sextet of Matt (Vocals), Nicolas (Guitar), Tristan (Keyboard), Guillaume (Guitar), Matthieu (Bass) and Axel (Drums), from Lausanne (Switzerland), who form the band Norvhar will be releasing their début LP Kauna on the 16th of February.
Released as a standalone single today (available on bandcamp) – Fest In Midgard -, which is the second single to appear from Kauna, opens to a quiet strumming in to which the mind prepares for a softly laid celtic ballad only for the scabrous vocal to hurtle though the speakers, immediately cloaking the room in a bewitching Nordic folk-tale of legendary battles in dark forests.
King Catcher from England who have frequently featured since their introduction in 2016 released their latest single today – the downtempo – Fear And Loathing.
As has previously been noted, on opening the wrapping it always comes as something of a dip in to a box of Bassetts Liquorice allsorts as to what will emerge and their latest track takes the duo on to yet another different trajectory to material previously featured.
Iin keeping with what, as I type, is an overcast, gloomy day, Fear And Loathing compliments the brooding half-light outside.
There is a drifting cloud of electronica which slowly fills the room with a portent of claps of thunder and sparks of lightning to follow, accompanying the contrasting expanding and contracting synthesised vocal which measures, one moment up beat melodic flows the next ominous monotone menace.
Joelle Edwards, from Liverpool (England), is an acoustic-sadcore creator who performs as Almost Autumn.
Occasional releases surface, having had the opportunity to listen to the back catalogue, I would recommend digging in to the archives as the music is best tasted in large measure to fully immerse in to the fragile, tear streaked compositions.
The songs take a look at various aspects of life’s insecurities and uncertainties – the most recent of which 6AM (available on bandcamp – as are all the singles) touches on the emotional, heartaching nature, of the intensity of transient relationships.
The track combines electronica and natural instrumentation which serves as a mood shifting backdrop to the breaking, expressive and completely captivating vocal.