The Damn Jammage – a band I particularly enjoy, from the UK, are set to release an LP – Buzzard Left The Bones.
The Damn Jammage
Here is a video for Life Goes On from the LP.
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The Brown Bottle Flu from Bloomington in the USA is the New Wave trio of Alex Molica (Guitar / Vocals), Jared (Bass) and Sharlene (Percussion / Vocals).
The Brown Bottle Flu
A delight….. is how I will start of this review of The Brown Bottle Flu and well, this is going to take me some time to write as I have to take a minute or two away from the keyboard each sentence to wrap my head in the music. A perfect setting for early Friday evening as I type, sumptuous percussion and bass slither across the room, testing the very foundations of the building. A slightly distorted guitar splays across the material like a back spatter bloodstain, accompanied by underlying vocals which are delivered as a head-snapping double punch.
I could waffle about CBGBs for a while and even throw in Anti-Pasti, but to make comparisons is to declinate from the absolute joy and currency of it all. Smartly composed songs breathe of vitality and the listener is lifted on to their feet to join in with the music. I can even forgive them the odd cover here or there which they do manage to rework with some degree of originality.
The Brown Bottle Flu is absolute joy to discover and with a release Felt Up beginning to gain some traction I would anticipate will become far better known and a band I suggest is worth spending plenty of time with…. It has taken an hour for these 250 words and I will be heading back to replay the LP once again as soon as I finish.
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Nodigga from Los Angeles in the USA is the solo lo-fi electronica creator Nick Cardinal.
A fascinating conceptual idea which could only emerge out of the home of lo-fi – Los Angeles. On hitting play you will be convinced your speakers have broken, such is the distortion, but be assured all is well, this is the creativity of Nodigga.
By fusing what are normally crystal clear pitches with instrumental and earth tilling turns of the fork the listener is left in a space which captivates. Compositionally there is nothing out of the ordinary, it neither seeks to tear open the edges of the envelope, nor does it attempt to be user friendly from the off, but what we are left with is something of incredible value as the creativity of a lively mind which expresses the individuality and perspective in a surprising way.
The material demands concentration to gain maximum value and that is easy to give as Nick Cardinal offers the audience an opportunity to give it a moment or two to make sense, or reach for the off button in even less time. In my opinion, there is a fascinating journey to discover with Nodigga and certainly a concept that will remain on my watch list. The frayed edges of the notes which ripple across the room in broken fragments add a luxuriant psychedelic osmosis to the sounds being delivered to the ears.
I could and will spend many an hour in this space.
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Chris Marksbury from the USA is coming near to the conclusion of his LP All About You which rumour has it may be set for release next month.
For those of you who have been with me the past few years will probably recall Chris as a photographer talking to me about hiring a photographer in the Indie Music Tips Series (which I will start reposting and picking up again here on Emerging Indie Bands imminently). He is also a highly proficient and experienced singer songwriter.
For now here is I Still Love You from the forthcoming LP.
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Lolita is an indie pop band from Koprivnica in Croatia with the line-up of Antonio Hanžek (drums), Charles Cmrk (bass) and John Grobenski (guitar / vocals).
There is an easy relaxed style that Lolita delivers with vocals in English and clear influences from ’60s brit-rock it would be easy to dismiss this as nothing much of anything at all. To discard it so quickly would, in my view, to be make a mistake.
Whilst not seeking to turn the world of music upside-down, the trio throw up some interesting markers. The recorded material has that distinctive sound of recordings made pre MP3 multi channel recordings, which immediately captures the ear as genuine and heartfelt, with the music laid out to stand or fall on its own right. I am also reflective of the fact that much of the music I hear coming out of the former Yugoslavian conglomeration as they have devolved into their separate and distinctive states typically is of far gruffer and vitriolic texture and this of itself marks Lolita as worthy of note with their more exuberant, though not naive, take on region. Valuable music has to be taken in the context in which it is created and while the notes may not sit naturally on my ears, I raise my hat to these guys who are striking by their very difference from that which locally surrounds them.
Having had the opportunity to take a listen to their eight track LP Lipstick Pop, I can confidently say Lolita is worthy of far more than a cursory glance.
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