Wolf Saga is a Canadian electro-indie project.
Regularly releasing material, often with different texture, sometimes upbeat other times downtempo.
The latest track to surface Summer Breeze is a song to play in quiet moment as instrumentation and electronica fold in to each other minding the listener of early summer mornings watching the sun rise over the horizon.
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Connor O.R.T. Linning is a Canadian dystopian-metal creator.
Connor O.R.T. Linning
Bludgeoning open the speakers a fractious stampeding roar launches in to the room, leaving the listener cowering in the corner as the threshing wall of industrial wrecking-ball lays all before it to waste. Turn up the volume and watch the walls turn in to liquid as the songs stream across the landscape.
The roughly twenty five minutes of the recent ten track LP Stranglehold (available on bandcamp) is highlighted by the sixth Only Revenge.
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The Canadian experimental-electronica creator Lunar Lemur releases the LP Gas Sculptures in August.
With a prolific output, on the back of the twenty track album Meat Blob Groove Machine (available on bandcamp) which came out less than a month ago, Motives Have a Neurophysiological Fingerprint is from the forthcoming LP.
An almost eight and two thirds minutes of distorted and disturbing scratchy drone.
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The Canadian synthwave project Das Mörtal releases the LP Always Loved on the 9th of June.
The first of the ten tracks on the album – Midnight Rendez-Vous – is a just under three and two third minutes track that wraps up the listener in a downy dreamy softness in which the mind becomes hypnotised by the looping synths.
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Always Loved – Das Mörtal is available on iTunes.*
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glaswegians is a modern-classics multi-instrumentalist from Canada.
The latest EP severance (available on bandcamp) came out earlier this month. Although only consisting of four movements, the release lasts for roughly sixty seven minutes, so before contemplating hitting play – do ensure you have plenty of time.
Featuring a list of instruments, too long to go through individually, though includes: percussion; brass, reed, bellows and pipe – wind; strummed and bowed – string; keys and even a frying pan – the music has a continuity and fluidity that holds the attention as although seemingly a plethora of the abstract the compositions have a mesmerising organic flow. Each movement is centred around a different theme, which although disparate, when heard in completeness makes for a cohesive whole.
The seventeen and just over two thirds minutes opener – orwellian – seems a sensible place to start.
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