L-space – Space Junk – Single Review

The Scottish dream-wave outfit L-space released the single Space Junk on the 17th.

L-Space - Space Junk

L-Space

The song is cleverly named and written as the dreamy synths are interspersed with distorted interference giving Space Junk a grainy perspective, that reflects both of nature of outer-space with the myriad of comets and showers of rock fragments, as well within the earths pull the many abandoned satellites drifting around earth yet, lyrically described, through the seeming clutter there is an unfathomable beauty and spaciousness that lays therein with the winding guitar calmly unravelling itself through the just over four minutes track evolving from an almost unheard addendum to a clear focus of energy.

Space Junk – L-Space is available on iTunes.*

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San Jua – Laid To Waste – Audio

San Jua is a new English / Swedish dream-wave duo.

San Jua

San Jua

The first and thus far only track to surface – Laid To Waste stills the listener with its ethereal presence as a ghostly vocal gently floats behind a screen of interlaced synths and instrumentation.

A just over three minutes début track which is in no hurry to reveal its secrets and the audience finds themselves enwrapped within the calmness of delivery, foretelling only, that San Jua is a duo to keep an ear out for when new material is made available and I certainly look forward to hearing more.

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SEE TAI – Glass Canyon – Audio

SEE TAI is a dream-wave creator from the USA.

SEE TAI

SEE TAI

Within the past four hours the newest track Glass Canyon surfaced.

Just under four minutes of creamy luxury drifts around the room as instrumentation, synthetics and vocal blend one in to the other. Appropriately for today, a song which that merely asks the listener to hold a partner closely and slowly glide in unified steps of tender embrace.

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The Romantic Manifesto

The Romantic Manifesto from London in England is the dream-wave quartet of Phineas Cheshire (Vocals / Guitar), Nobutaka Iizuka (Guitar), John Wallis (Bass) and Timur Djahit (Drums).

The Romantic Manifesto - dream-wave from England

The Romantic Manifesto

Like an ambient light The Romantic Manifesto add a depth to the ambience as the gossamer thread of sound gently builds its web around the room. The compositions build wave upon wave of luxuriant texture that take over the synapse pulses and the mind and body gently drift into semi-consciousness.


The Romantic Manifesto build their tracks from a percussion and bass which pulse as though in waves of superposition which creates the spinneret from which the interlocking guitars fold the chords to thread the silk, as the vocal calmly orchestrates the delicate fluxes of sound.

The quartet deliver music which is best taken in large quaffs to allow the mystical backdrop to take shape in the mind and if you allow yourself that space you will find The Romantic Manifesto has much to add to the world of music.

As always I find much to enjoy in listening to music that takes as a point of principal a point of difference and The Romantic Manifesto battle headlong with a world demanding of instant gratification and to my mind prove their purpose with considerable credit.

I recommend taking an hour or so out of your day to take time with the quartet and failing that the forty six minutes to listen to their latest LP – A Kind Of Promise which came out at the beginning of the month.

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A Kind of Promise – The Romantic Manifesto is available on iTunes.*

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Tirman Kid

Tirman Kid from Buenos Aires in Argentina is the dream-wave quartet of Martin Dick (Vocals / Guitar), Agustin Slapak (Guitar / Synth), Manuel Gvirtz (Drums) and Matias Oyamburu (Bass).

Tirman Kid - dream-wave from Argentina

Tirman Kid


Layer upon layer of drifting smoke immerse the room as Tirman Kid feed the music into the room. The shimmering guitars are accompanied by synths which allow the phrases to hang in the air, whilst a gauzed vocal echoes remembrances of instrumentation drifted past as percussion settles on hi-hat and ride giving the out-put a fuzziness to which the bass lays quietly in the back-ground grabbing attention from time to time as it sweeps up the stray remainders of the sounds.

The laconic elongated notes give Tirman Kid a munificence which beguiles the listener, whilst the lyric espouses of bitter regrets and the fusion of the two gives the quartet a fascination that holds the ear.

The music itself transcends geo-political boundaries and could have appeared from anywhere in the world at any time since the ’60s with its hazy waves of sound and for that very inclusiveness I recommend you taking a few moments to – kick off your shoes and drift in the sounds.

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Gotta Do Something which came out last week is available on bandcamp.

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