Thula Borah is a Scottish dark-rock quartet who will be releasing the EP Near Life Experience on the 27th.
From the forthcoming EP is The Psychopath Test.
Those of longer stay will know I make no secret of my diagnosis of psychopathy and three decades of meetings with Forensic Psychiatrists and Psychologists with both of the two teams seeking to attempt to ensure I remain vaguely civil – so I should be railing against a song which – in the same vein that so many like to ‘blanket meme’ an ideology fed by the 1% – that Women only exist to be abused, those who are not WASPS deserve contempt, Transsexuals are the death of civilisation, those of Islamic faith are all suicide bombers and immigrants are the reason you are struggling to make ends meet – which is the actual message from this track – do as the 1% tell you to – but I won’t dwell on that ideologue.
I always judge music, by the music and whilst I personally find the concept of the track as something delivered through ignorance of a personality trait – we are not all axe-murderers and most of us are attempting to get by in a world full of folks with whom we don’t empathise – the composition of the song I did enjoy and I am sure you will too. So – I forgive them their vainglorious Daily Mail Headline enveloped stupidity – and I hope you will too as the song is worth hearing.
I may be less forgiving if the next track they reveal suggests that abuse of women is not an abomination, merely the predators right of expression – because Donald Trump and Boris Johnson intimate it is thus.
The Scottish nu-disco trio Park Planet are finalising details for the LP Rebel Rebel.
Park Planet – Rebel Rebel – artwork
A band who have featured on the site from time to time since their introduction in 2012. Over the years their style has evolved and the newest track – Collisions – finds them delivering a piece which will have a natural home at an after-party.
A while in gestation, the album Rebel Rebel was signposted over a year ago, with Collisions being the first composition to come from the LP. On the basis of the latest song -I reconfirm what I said in September 2015 – I look forward to hearing the full release.
The Scottish alt-rock quartet Ded Rabbit release the single Figurine on the 3rd of February.
Blasting out of the speakers Figurine feeds its way into the lymphatic system as the just under three minutes of crunchy rock clears away any toxins and hence any lethargy. Ded Rabbit do not confuse creating music that resides immediately in the heart of the listener with any sense that to do so requires any extraneous superfluous moments as Figurine sticks to the basics. Resultantly the track is met by listeners fully engaged and quickly getting to grips with the lyric to join in with the pumping percussion and pulsing bass while the slight guitar distortion allows the quartet to create their own distinctive placement with vocals serving as the conductor for the audience chorale.
A successful live performance schedule in 2016 looks set to be followed by an even wider audience in 2017 with a South Western European tour already in the wings and Figurine can’t but help to grow the fan-base wider still.
There is little chance this wouldn’t have been a track I asked you to listen to, as longer stay readers will know That’s Life by Sham 69 – released in 1978 is in my view one of the most coherent LPs released and it isn’t since about two minutes and two seconds into Win Or Loose on that album – almost identically time-wise – at two minutes in to this track a similar distortion technique has been deployed and used as effectively – though other than that – very different material.
Win Or Loose by Sham 69 – in this version the spoken interludes between each track – which gives the album its storyline is included – making the same idea appear at two and a half minutes in to the piece.
From Paisley in Scotland surface the alt-rock quartet The Label comprising – Jordan McGlynn (Vocals / Guitar), Michael Kerr (Vocals / Guitar), Chris Shearer (Bass) and Ryan Kane (Vocal / Drums).
Dating back three years, sadly for those of us of wider-sphere recorded material is sparse, with only six songs available, but what a joy they are to the ears.
The Label are able to deliver – Quality Street shiny wrapper indie-rock, but they are also able to scour into the edges and utilise the two guitars to excavate some G.I.A. – D, flawless diamonds which take the breath away.
It is when listening to older tracks in the catalogue one finds the best work of The Label as, to me the latest track that surfaced last month is perhaps a little too user friendly for my ears, but then I have no clue about the world of mass media play, so no doubt it will be their most ‘commercially successful’, but I hope they revert to the gritty sounds of bruising percussion, twisted guitars, boisterous bass and an acerbic growling vocal and offer one of their older tracks by way of introduction – Push And Pull.
Where ever they travel, I wish the quartet the best and look forward to updating news later in the year.