The New Zealand synth-wave outfit Glass Vaults release the LP The New Happy on the 12th.
Glass Vaults – Photo by @funkypancake
From the album – Bleached Blonde – is the penultimate of the nine tracks and allows the guitar, which is normally more submerged, to take a pivoting funk presence around which the synths revolve, giving the track a summer-evening vibe.
The New Zealand alt-rock trio Golden Curtain have been quietly working on the LP Underwater Gospels due for release later in the year.
The ten track album is a long awaited follow-up to the 2015 LP Hell Is Other People. Underwater Gospels marks a step change in direction of sound with the LP being sculpted through a collaboration with the broadcaster and poet Alex Green.
The first track to surface from the forthcoming album, made available to share within the past few hours, which will itself be released as a single on the 14th of April, Amen – is a darkly shrouded garage-surf valedictory of dreams unheralded.
The darkness of the shaped and shadowed bass immediately focuses attention with its menacing omnipresence which affords the drums the space to roam more widely, allowing the pace to be slowed to almost funereal as the reverberating guitar spirals through the ears with the flattened vocal emphasising the contextualisation of the written concept.
The New Zealand alt-folk band Grawlixes are planning to release the LP Set Free in July and the title track was made available a few hours ago.
Not an outfit to pop onto the party night playlist Grawlixes deliver music which has an intense sadness that daubs the listeners eyes with tear-stained handkerchief and for its resonating melancholia is music from which the audience has no desire to flee.
On the lead and title track of the eleven on Set Free, there is tender beauty created by the changing harmonics of minors and accidentals of vocal as both bowed and strummed strings gives the track its raw emotional intensity and burrows the, tad over two minutes, music deep in to the marrow-bone.
Matt Carson (Guitar), Clinton Bell (Vocals), Chris Dickinson (Guitar / Vocals), Brendan Coyle (Bass) and Owen Bradley (Drums) from Auckland in New Zealand is the rock band Tablefox.
Like skilled archers on battlefield flexing bows and shooting arrows Tablefox deliver music that plies its way into the heart in a volley that has the audience in paroxysms of ecstasy. The two guitars enable the quintet to deliver an intensity of fixation akin to satiating any long standing chocolate addict with the melting rush of body temperature melt.
The aural choreography minds of a Petipa ballet choreography as Tablefox syncopate rhythm and melody with bass, percussion and guitars floating effortlessly between each other with the vocal not seeking to become the spotlight, rather a fleeting shadow which the ears follow around the evolving landscape.
Tablefox is undoubtedly comprised of able musicians, what is of more import is that they have remained true to their direction of travel, which in the crowded market-place of melodious rock is an over-populated space, but to me they are well above shoulder high and it is only a sadness their undoubted abilities are not yet far more widely recognised. With fortune their début LP Objects, set for release on the 20th will allow them far wider space to be discovered.
Originally from Dunedin in New Zealand now based in Berlin – Germany Freddy Fudd Pucker is the dark-folk musician Tom Young.
Freddy Fudd Pucker
Hurtling from the speakers like a scalded cat Freddy Fudd Pucker delivers music of momentum. A scathing lyric pulls no punches as it casts a wary eye on the world around, whilst the instrumentation is of equal consideration. Combining string strumming that can only but lead to RSI, along with toe-tapping percussion, whilst adding distorted samples and loops gives the out-put its intrigue.
Although predominately played at breakneck speed, Freddy Fudd Pucker provides compositions of developing melodies and when slower tracks appear, these touches are highlighted.
It is of little surprise that Freddy Fudd Pucker is a constant feature on the road in both the Northern and Southern Hemispheres, where the music is best suited because of the instant connectivity with the audience. That isn’t to say this can’t be enjoyed at home, but it works best with a group as despite the visceral nature, the listener can’t help but get up on their feet and want to join in with a mass dance and party the night away.
Despite the continual live performances Freddy Fudd Pucker does still manage to find time for recording and a new LP is scheduled for release later this year. From the forthcoming album is Blood Diamond Mind, that surfaced a few hours ago.