The US alt-rockers herMajesty release the two track single I Saw The Dog on vinyl on the 2nd of November and digitally on the 8th.
herMajesty – I Saw The Dog – vinyl test pressing
A couple of years since last featured it is appropriate to refresh the mind.
I Saw The Dog is a timeless track which takes in a disparate set of influences which have a richness of analogue warmth to them that allows each element to shine in its own channel affording the song an intricate weave of texturing which is almost tangible as it floats through the room. The evocative guitars snake around the supple vocal whilst a quietly drifting synthesis creates hazy extensions through which the drum-kit, that maximises the available skins, develops a hypnotic focus off its own and the pulsing bass rounds out the composition as it provides the anchoring and solidity to the erstwhile ethereal soundtrack.
Whilst the digital version is able to capture some of the warmth, I would posit the physical release will do more justice.
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The US alt-rock quartet Sixteen Jackies release the EP Movie Was Bad tomorrow.
Sixteen Jackies – photo by Carmella Maria
The second of the four tracks on the EP – VHS #1 (A Body) – was revealed less than a dozen hours ago.
Having had the opportunity to listen to two of the tracks, with each being of different countenance, I can attest on this basis that Movie Was Bad is something to add to the collection.
With the option of either the opening song You Came a luscious layering of gazey guitar led by a beguiling vocal or VHS #1 (A Body) to feature there is little possibility I would choose anything other than a track that has a bass guitar strung so loosely you can almost see the wires poking out of the speakers with the synth taking supporting role as guitar and percussion add a dark presence with the sparse vocal menacing the ears.
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Jaden Strong is an ambient-electronica creator from the USA.
A new project with only three songs to hear, none of which none is more than a matter of less than five days old, there is a succulent morsel on which to gnaw as the synthesised xylophone chirps through the room layered by a flattened delayed loop which re-imagines the percussion in liquid form.
By way of an introduction to Jaden Strong – Oxandra.
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The US shimmerwave duo Haulm released the single They Came Along on the 11th.
The listener is doused in the sense of a warm summer-shower as the track threads through the room refracting rainbows of colour in to which the audience is drawn whilst the song affords a depth of texturing which is completely unanticipated.
I often receive notification by readers who let me know they are taken by, and enjoy, the breadth of music featured and it does take me by surprise too as my roots are firmly based in punk rock from 1975 to 1979 so to digress outside that orbit is always something logically I am unable to articulate, however, music is intrinsically about emotional connection and not ‘fact based pragmatism’ – hence I am asking you to spend time with that from which theoretically I should already have run out of town to escape, though haven’t, and neither should you as within the song lays a cohesion of sounds which lay a spiders web of tensile flexibility in which to lay mesmerised.
The synthetic folds of They Come Along slip through their iterations as though a silk fan folding and expanding by which the listener becomes transfixed in the hypnotic weaving translucency of the composition.
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They Came Along – Single – HAULM is available on iTunes.*
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The US rock’n’roll quartet released the single Viva La Revolucion (again) on the 13th.
The Howlin’ Souls
A song title often used by musicians and yet, other than the original Mexican Revolutionary song title in common, often not a cover rather a fresh take on current world politics and this is the case with The Howlin’ Souls and the track Viva La Revolucion (again) which is available on bandcamp.
More normally their music has a focus on extensive blues guitar – in the single emphasis is placed on the thumping drum kit which piles its way in to the ears with vocal subtly flowing in and out of limelight and while the riffs of the six stringer is, as expected, present it plays a more supporting role than usually the case.
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