The English sadcore duo Betty Pulls A Fast One are scheduling the release of the LP – Dressed In Birds – for February.
Betty Pulls A Fast One
There is a skill required to be able to create music which is so dour of countenance that rather than attending the regular funerals of an ever dwindling audience as a result of self-inflicted injuries whilst listening to the compositions – musicians find themselves with an expanding following who immerse themselves in the the brooding darkness finding a cohesive catharsis in the material and Betty Pulls A Fast One, who have regularly featured on numerous occasions since their introduction in 2016, are one such duo.
Those of longer stay, or who click the link to the initial introduction will discover Dressed In Birds was first scheduled for release last year. I am more hopeful that the appearance of the title track with its minor chords progression does signify the album’s imminent arrival.
An intriguing combination of three guitars, bass, drums, vocals and synth allows TrueHeights to deliver music which, whilst derived in metal also has a foot firmly anchored in indie dance, enabling them to create tunes with a distinctive point of difference.
The first song to appear from the EP, which is also the first of the five tracks on Days We Found, is Exit Route.
The English smugglers-rock creator Matt Couch who performs as Snakeoil Salesmen releases the EP Snakeoil Salesmen II on the 31st.
Music which is steeped in sea-shanty and folklore tipples out of the speakers when taking a listen to the back catalogue and on the basis of the one song I have heard of the four on the EP (available on bandcamp) I anticipate more of the same vein.
Convicts & Catholics, the opening track, skips through the room in flighty rock’n’roll guise finding the audience dancing alongside the scathing lyric, yet not flummoxed by the contrasts of sound and sentiment.
The English melancholic folk creator Tina Boonstra is due to release the EP My Concrete Heart (Will Beat Again) on the 2nd of February.
The second song to be revealed from the EP, I Think I See You Now, was also released as a stand alone single on the 12th.
The frail tendrils of the song hang like an spiders web in a meadow on a frosty morning gleaming in the dawn sunlight, slender yet forthright. The open weave and simplicity of the architecture of I Think I See You Now surrounding the fragile vocal, which threatens to splinter as it emerges from the speakers, finds the audience hushed in unwavering attention as the emotionally charged composition floats through the room.
The Low Countries, an England based alt-folk outfit, are planning to release the LP We Weathered The Storm in March.
The Low Countries
After a dearth of new material since 2016 it was a delight to discover there is more in the offing from a troupe who are able to able to deliver music which teeters betwixt the stool of melancholic despondency and optimistic glee without ever seeming at odds with the juxtaposition.
The first track to surface from the album, which itself will be released as a stand alone single on the 26th, Putty, (a revision of the original which appeared on the 2014 LP – A Prize Everytime) extrapolates the contrasts of their material as the dour vocal lays astride accompanying guitars, harmonica and percussion, which has the listener both bleary eyed and stamping feet with wide grin at one and the same moment.