Obedient Wives Club

Obedient Wives Club from Singapore is the fuzzgaze quintet of YinQi Lee (Vocals), Keith Tan (Lead Guitar), Cherie Ko (Rhythm Guitar), Sulaiman Supian (Bass) and Lennat Mak (Drums).

Obedient Wives Club - fuzzgaze from Singapore

Obedient Wives Club – photo: Aloysius Lim

There are those occasional Eureka moments when you discover what has been missing all your life and Obedient Wives Club is a case in point. At the risk of sounding like a red-top sub-editor – Sassy, Sexy, Sultry.

Having undergone a slight transition in sound from lo-fi production of their debut EP in 2012 to a fuller evocation the quintet deliver music you in to which you just want to melt. Influences of the ’60s are inveigled with lynchiesque moments and topped with a dose of indie-pop – what is there not to enjoy? I am reminded of the old Minstrels adverts – melts in your mouth not your hand – as Obedient Wives Club take the basic premise and wash it with reflective translucence that captivates the brain.

Already capturing hearts and minds in the South Eastern Asian region, Obedient Wives Club is a band that a wider world needs to get to know to find out just what is missing from their lives.


Murder Kill Baby – EP – Obedient Wives Club is available on iTunes*.

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Jesus Weekend

Jesus Weekend an alt-synth trio from Osaka in Japan is Seira (Vocals / Guitar / Synth), Sanae (Drums) and Azuna (Bass / Synth).

Jesus Weekend - alt-synth from Japan

Jesus Weekend

Just about a year old Jesus Weekend released their debut five track EP Agleam earlier this month through Fancy That! Records. Somewhat experimental nature the music drifts, as-though hidden in cloud, through the room as instruments and electronics combine. Although not pursuing linear expectations of sound there is a coherence to the music in which the audience can just lay back and enjoy. The muted creations are often subsumed in fuzz, giving the impression of watching butterflies drift in the wind.

The compositions have a global resonance and this is an out-fit who could end up settled anywhere in the world. Always likely to remain on the fringes simply as a result of the nature of the music, which is a great pity, as there is much to be gained by getting to know the music that Jesus Weekend deliver, which has a timeless, ethereal quality, once heard not to be forgotten in quickly. I for one hope it isn’t another twelve months for their next release.


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Protomythos from Tel Alviv in Israel is the solo alternative rock musician Tom Treivish.

Protomythos - alt-rock from Israel

Protomythos – alt-rock from Israel

An idea formed in Toms’ mind and the project Protomythos came to fruition. Much like the calming material the ideas were not rushed and over the course of a couple of years a number of tracks were selected and packaged into the ten track LP – In Human Sight – from which 20% of the profits will be donated to animal charities.

In many ways this sits in the middle of middle of the road rock, however there are flights of fancy along the way, which gives the music notches in which to explore and whilst never steering too far off the path, there is enough leverage to stand the music out from the crowd. This is music to take in bite-sized pieces, unless you are a particular fan of conceptual rock, but for me allowing tracks to be digested before sitting down another time, is where I gained most from Protomythos else the heavy curtains weighed down too heavily on my ears.

There is a very studied pace to the output which is matched with the instrumentation and compositions, giving the material considerable impact. Whilst it may not be my favourite music of the year, this is a top quality example of the genre and well worth taking time to explore. If it is a style in which you find a natural home, then it is unlikely that you will find anything of higher standard any-time soon.


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Krishna’s Temple Rock

Krishna’s Temple Rock an alt carnatic raga band from Pondicherry in India is Krishna Kumar (Vocals / Kanjeera), Matt Littlewood (Saxophone), Aman Mahajan (Keyboard),  Viji Cheyyur (Electric Guitar), Mishko M’Ba (Bass Guitar) and Sowri Rajan (Tavil / Ghatam / Morsingh).

Krishna's Temple Rock - alt carnatic raga from India

Krishna’s Temple Rock

Combining traditional classical Southern Indian influences with Western jazz and rock, Krishna’s Temple Rock through their extended tracks are able to offer some highly inventive and surprising pieces of music. The metronomic drone more normally provided by the tambula is replaced with the keys and morsingh which gives the music a more morose frame, the injection of sax and electronic instruments provide the injection of lighter flavours.

Whilst the focus remains as with classical carnatic on compositions around the voice, the jazz and western rock influences are given room to breathe and the listener is left with music which extrapolates very distinct styles into a fusion of some considerable intrigue.

Pondicherry given the proximity of Auroville provides some of the most interesting cohesions of styles, in the Indian Subcontinent, which should come as no surprise and this isn’t the first time, nor will it be the last I am sure, that I will introduce a band from the region doing something a little different to the mainstream.


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Sounds Of Sputnik

Roma Kalitkin a solo musician from Moscow in Russia performs under the name of Sounds Of Sputnik to deliver his psychedelic space rock.

Sounds Of Sputnik - psychedelic space rock from Russia

Sounds Of Sputnik

Once again, as with the old URL Indie Bands Blog on the first Russian entry, I find myself in a quandary of where to place Russia in the continent category and once again it appears under Asia, simply to due to the relative landmass in Europe and Asia. Of course as previously, the first review is of a Russian outfit is someone sitting in Europe. However, you aren’t reading this to hear about my travails with geo-political and continental boundaries…. Sounds Of Sputnik

Dim the lights, lie back and gaze-upwards and let Sounds Of Sputnik wend its way into your mind and in a trance you will find yourself floating in the cosmos, what an appropriately named band.

Predominately purely instrumental, the music envelopes the mind in warming bass notes, whilst echoed chords drift lazily across the room captivating the thoughts, while an omnipresent electronic hum adds to the experience of the material, this is not music to hurry, rather to enjoy at leisure and is well worth allowing the music to take over the mind.


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