Napolleon

From Bandung in Indonesia surface Bayu Andrianto (Guitar / Vocal), Valery Marsiano (Guitar), Aditya Tri Hanggono (Bass) and Muhammad Zainul Ilyas (Drums) who form the psychedelic Napolleon.

Napolleon - psychedelia from Indonesia

Napolleon

Heavy weaves of psychotropic substance descend around the ears as Napolleon combine ’60s rock with drone to layer the listener with darkly wefted sounds. The mind finds itself drifting along with the compositions as they meander around the room.

Reminders of concentrated Hawkwind pour out of the speakers as the instruments interplay to a submerged echoing vocal that enhances the out-of focus lens of the out-put. Napolleon is able to bring the disparate concepts together in a way that leaves the listener aware only of a continuum of sound. Their ability to coalesce the ranging ideas finds the audience mesmerically entranced and time looses all relevance as the quartet cloak the consciousness in an oppressive soundtrack that has the ability to simultaneously extend an arm of comfort.

A few years behind them, it was only on the 10th that they have released their début eponymous EP. Although only four tracks long, it will be no surprise to learn that the release extends to nearly twenty five minutes. Do find some time to dwell with Napolleon who add immensely to the pleasure of the day.

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Napolleon E.P – Napolleon is available on iTunes.*

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Colaba Point

Colaba Point is the ambient-psychedelic quartet of Rukmini Roy, Ankur Chugh, Abhishek Denzil and Rohan Kadam from Mumbai in India.

Colaba Point - ambient psychedelia from India

Colaba Point

Combining electronics with a range of instruments both modern and traditional Colaba Point take the listener on a gently rolling journey of sound. The band deliver measured paces of enrapturing compositions which subtly contain references to times of yore, that give the pieces a timeless elegance, whilst simultaneously using the latest technologies to expand the older themes and this enables them to develop tracks through slowly shifting sands of time.

The vocal, which sits aloof of the music, gives the audience a sense of sound-track commentary, adding a spacious feel to the tracks. This is not music in which to engage whilst chasing shots, rather to imbibe with a long drink to hand. Formed back in 2011 Colaba Point have established a live presence and a steady flow of recorded material has enables their wide ranging out-put to travel further afield.

Not an out-fit that seeks to travel anywhere near the mainstream, Colaba Point have created a distinctive style, that should be more widely heard as they add much to the weave of the world of music and it is pleasure to introduce them to you.

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Future Flashbacks, which came out on the 6th is available on bandcamp.

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Deer

Deer is the trip-hop duo of Adriana Martinez and Miguel Bastida originally from Mexico now Hong Kong based.

Deer - eponymous EP - artwork

Deer – eponymous EP – artwork

From a training in classical music Deer has been able to stride the great divide to trip-hop and deliver compositions that elegantly glide around the room in elegant sweeps of floating textures.


With tracks ranging from the dance-floor to the chill-out room Deer is able to provide the listener with compositions that regardless of tempo are full of elements which they bring together into an unhurried loop of sound that transfixes the mind. The nature of the out-put gives the music a translucence that glows deeper as tracks develop.

As you know I often refer to three minutes as being all that is needed for almost all music, the duo deliver pieces that I just want to run for many an hour as they glissade elegantly into the brain.

Hit play and time will stand still as Deer fuse their understanding of symphonia and switch it to producing an ambient back-drop for the audience to become entranced.

The eponymous EP by Deer that came out on the 15th is available on bandcamp through Metal Postcard Records.

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Two Chords

Two Chords from Tomsk in Russia is the agit-rock quartet of Anton Serov, Denis Ivashkov, Sergey Rokhmanyuk and Dmitry Novikov.

Two Chords - Dead People - artwork

Two Chords – Dead People – artwork

Drawing clear references from US ’00s indie Two Chords are, unlike the plasticity of their influences, able to strike a position of genuine frustration and rage with songs that lament a crumbling structure.


I am minded of many bands I write about from Russia who are able to inject sincerity and realism to the major-label rubbish that emerged from the USA in the ’90’s and 00’s under the PR headline of ‘indie-punk’, that influences their out-put, turn it all on its head and come up with a sound, that whilst still difficult to be endeared by, has much to demonstrate of the continuing stream of bands with much to say about social constructs. Despite what so called ‘rock musicians’ cocooned in major label funding like to pontificate doesn’t exist ‘any-more’, which always sticks in my throat as the vast majority of those lamenting are plastic formulaic performers themselves.

Whilst not music that I will add to my every-day list, Two Chords most definitely reach the mark of a band with much of value to say and I wish them every success for the future and it is a pleasure to introduce them to you.

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Dead People – Single – Two Chords is available on iTunes.*

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Language Of Shapes

Language Of Shapes based in Gangneung – South Korea is the psych-folk quartet of Tristram Burden (Vocals / Mandolin / Mandola / Octave Mandolin / Bouzouki / Guitar / French Horn),  J.E. Seuk (Vocals / Mandolin / Mandola / Flute),  Courtland Miles (Bass) and Bobby Goldberg (Djembe).

Language Of Shapes - Psych-folk from South Korea

Language Of Shapes

Languages Of Shapes combine East, West, North and South to deliver sounds which fluently meld together in harmonic congruence which captivates the listener. The combinations of instruments gives the music an internationalism which passes through geo-political borders as the quartet provide the audience with a singularity of sound that is somehow equally instantly recognisable.


The slightly mournful reflections of Language Of Shapes allows the music to thread its way into the mind and soul as the intractable compositions leave as many questions as providing answers, which gives the sounds an even deeper mysticism.

Strings and percussion float spectrally around the head, whilst vocal blends a psychedelic temperature to the folk rock derived instrumentation. The quartet fuse the traditional with the modern to provide music which grows better the longer played.

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Their eponymous LP is available on bandcamp.

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