RAU is Maggy (Guitar / Vocals), Kay-Uwe Dörflinger (Drums) and Jim Albrand (Bass) an alternative rock band from Cuxhaven in Germany.
The music fairly tears into the room with a percussion that wraps itself into the head and involuntary the body joins in with the frenetic beat being set by the double time tempo. Whilst the overall effect is one of a band in a hurry, RAU, keeps it all under control creating a smartly composed out-put.
This part of Lower Saxony is a fine hotbed of creativity as established readers will recall another find covered last year on the old site. Introducing a range of influences, including reggae and US indie, RAU successfully take the lighter textures and give them a sanding to deliver a darker rock effect which holds together extremely well.
The vocal is finely delivered and creates a good contrast to the gruffer instrumental accompaniment lifting the music to a creativity which is a great addition to the world of music. I look forward to hearing more of RAU in the future. Their six track release Keine Sau Kennt RAU which sees them showcasing the breadth of their sounds, from the slower pace folk derivative to the higher tempo, which in my view is their core strength, should find them make a more decisive impact and build their audience.
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Rocquette from Austria have not been idle since last reviewed.
Here is the new video for Voodoo Rock Puppet from the LP 13.
13 – Rocquette is available on iTunes*.
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The Damn Jammage – a band I particularly enjoy, from the UK, are set to release an LP – Buzzard Left The Bones.
The Damn Jammage
Here is a video for Life Goes On from the LP.
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The Brown Bottle Flu from Bloomington in the USA is the New Wave trio of Alex Molica (Guitar / Vocals), Jared (Bass) and Sharlene (Percussion / Vocals).
The Brown Bottle Flu
A delight….. is how I will start of this review of The Brown Bottle Flu and well, this is going to take me some time to write as I have to take a minute or two away from the keyboard each sentence to wrap my head in the music. A perfect setting for early Friday evening as I type, sumptuous percussion and bass slither across the room, testing the very foundations of the building. A slightly distorted guitar splays across the material like a back spatter bloodstain, accompanied by underlying vocals which are delivered as a head-snapping double punch.
I could waffle about CBGBs for a while and even throw in Anti-Pasti, but to make comparisons is to declinate from the absolute joy and currency of it all. Smartly composed songs breathe of vitality and the listener is lifted on to their feet to join in with the music. I can even forgive them the odd cover here or there which they do manage to rework with some degree of originality.
The Brown Bottle Flu is absolute joy to discover and with a release Felt Up beginning to gain some traction I would anticipate will become far better known and a band I suggest is worth spending plenty of time with…. It has taken an hour for these 250 words and I will be heading back to replay the LP once again as soon as I finish.
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Nodigga from Los Angeles in the USA is the solo lo-fi electronica creator Nick Cardinal.
A fascinating conceptual idea which could only emerge out of the home of lo-fi – Los Angeles. On hitting play you will be convinced your speakers have broken, such is the distortion, but be assured all is well, this is the creativity of Nodigga.
By fusing what are normally crystal clear pitches with instrumental and earth tilling turns of the fork the listener is left in a space which captivates. Compositionally there is nothing out of the ordinary, it neither seeks to tear open the edges of the envelope, nor does it attempt to be user friendly from the off, but what we are left with is something of incredible value as the creativity of a lively mind which expresses the individuality and perspective in a surprising way.
The material demands concentration to gain maximum value and that is easy to give as Nick Cardinal offers the audience an opportunity to give it a moment or two to make sense, or reach for the off button in even less time. In my opinion, there is a fascinating journey to discover with Nodigga and certainly a concept that will remain on my watch list. The frayed edges of the notes which ripple across the room in broken fragments add a luxuriant psychedelic osmosis to the sounds being delivered to the ears.
I could and will spend many an hour in this space.
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